2016 New Olympus Pen E-PM2 review

2016 New From Olympus Pen E-PM2 review

2016 New Olympus Pen E-PM2 review
2016 New Olympus Pen E-PM2 review
Revamping their two smallest Pen cameras merely fifteen months after their introduction, Olympus decided to provide their least pricey model the mixed appearance of the initial E-PL1, with the fixed grasp of the initial E-P1. It's fun to see their developers having fun with the digital Pen heritage already. The end result is a lot better planning to our eye compared to the originals.

Just what's much better compared to looks, however, is the E-PM2's incorporation of the very same 16-megapixel sensing unit as the exceptional OM-D E-M5, a sensing unit whose quality blew us away earlier this year. Neither the E-PM2 nor the E-PL5 introduced at the same time has the 5-way photo stabilization of the OM-D, but the E-PM2's conventional sensor-shift IS offers rather well. When it began delivering in October 2012, the Olympus E-PM2 originally retailed for $550 body-only, and even $600 with the 14-42mm kit lens, but the firm has actually considering that dropped rates by $100. That's a fantastic value given the modern technology loaded into this small body. Design. Good-looking and basic from the front, the rubbery grasp assists your hold fairly well.

Olympus Pen E-PM2 review
Olympus Pen E-PM2 review
An AF-assist/self-timer light radiates out from the upper right corner, and also a round lens release switch is ideal of the place. Like its predecessor, the Olympus E-PM2 has no physical Method dial. While its predecessor utilized a striped screen food selection to switch methods by means of the four-way navigator, the E-PM2 has the advantage of a touchscreen to make options much so much more quickly. A typical very hot shoe and also AP2 port accentuates the top of the Olympus E-PM2.



Introduced on the Olympus E-P3, the touchscreen autofocus makes AF rather particular and fast. That, combined with the E-PM2's absence of a Method dial makes the touchscreen a very important control. Compared to the E-PL5, the E-PM2 has the Playback and also Remove buttons that were missing on the E-PM1, yet still does not have the focus and out buttons, functions that again fall to the touchscreen in Playback mode.

In general, the Olympus E-PM2 is one more Micro 4 Thirds victor from the supplier. It also consists of the exact same 8 frames per second capability of the E-PL5 (note: focus locked only), making it among the fastest compatible lens video cameras at this price factor. Between the E-PM2 and even E-PL5, we find ourselves just missing the Mode dial and even turning LCD, and even we actually like the timeless appearance of this less-expensive design. Exactly what's much better than appearances, though, is the E-PM2's inclusion of the very same 16-megapixel sensor as the excellent OM-D E-M5, a sensing unit whose high quality blew us away earlier this year.

Neither the e-pl5 nor the e-pm2 presented at the very same time has the 5-way photo stabilization of the OM-D, but the E-PM2's typical sensor-shift IS serves rather well. Like its precursor, the Olympus E-PM2 has no physical Mode dial. Between the E-PM2 and even E-PL5, we find ourselves just missing out on the Method dial as well as turning LCD, and we truly like the timeless appearance of this less-expensive model.

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