2016 Canon c300 mark ii | review

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2016 Canon c300 mark ii
2016 Canon c300 mark ii

2016 Canon c300 mark ii | review

Canon c300 mark ii - Canon C300 individuals looking to enter the brand-new 4K world while still preserving the look and feel of their original C300 will certainly value the breakthroughs that the EOS C300 Mark II offers the table. As well as users who could have battled to cobble together a rig for their C300's will especially value the Canon C300 Mark II ENG Bundle, which combines the electronic camera with a Zacuto ENG gear, Zacuto Gratical viewfinder and Canon Cine-Servo 17-120 T2.95-3.9 EF lens.

FUNCTIONS
Given that its creation, the C300has been a favorite of run as well as weapon docudrama, reality, occasion as well as sporting activities videographers looking for Super35 sensor adaptability in an easy to operate package. Its MPEG-2 8 bit 4:2:2 MXF-wrapped data were flawlessly matched to transmit process and layouts. Yet most conventional shooters had to accustom themselves to different control placements and also a totally various ergonomic building.

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The C300 Mark II keeps the exact same kind factor as well as basic functional controls as the C300, yet brings the camera right into the new world of 4K/UHD procurement with interior little bit depths as much as 12K as well as color sampling as much as RGB 4:4:4 while additionally adding RAW result to outside recorders.
The same rigging issues, however, stay. In order to develop a versatile, strong plan, Canon partnered with Zacuto to pack its ENG gear and Gratical viewfinder, topped off with the 17-120 Cine Zoom lens to produce a complete ENG/EFP package.

Zacuto has long been understood for its strong building and construction, adaptability with every from of z-connector you could picture, as well as in a lot more recent years its electronic devices.
We'll start with the rig itself and after that relocate to the electronic camera.
It then adds a lens assistance (essential for a hefty Cine lens and truthfully, I even think in lens support for much heavier still lenses), fast launch install for the C300 AV device, a helmet package including deal with, cheeseplate headgear as well as rail. It includes all needed power connectors for camera, Gratical, and Cine-Servo lens. My examination system showed up with the C300 AV unit installed on the rear of the camera, as Zacuto reveals it on their website and introductory video.
Zacuto recognizes all concerning video camera balance. Zacuto's discount video holds up an old Betacam unit to reveal this gizmo is concerning the very same size.

That's without lens and without counterbalance. The Canon Cine-Zoom with the servo unit considers around 6 pounds.
The Zacuto Gratical viewfinder remains in my assessment the very best third party digital viewfinder on the market. With a 5.4 million pixel OLED display dealing with 1280x1024 its image is unmatched. It is climate resistant, multi I/O (HDMI and also SDI) as well as infinitely mountable. With coming to a head, incorrect shade, zebras, extents and even cross convert on outcome, it has every possible viewfinder choice. The majority of considerable for this electronic camera though is its capacity to import viewing LUTs. Numerous shooters in the LOG world favor to subject checking out through a LUT instead of trying direct exposure of the LOG product. While this is commonly an issue of individual skills and also preferences, at least the capability to use a LUT in viewfinder is attractive. It can be particularly appealing if for whatever reason the driver chooses not to output a screen LUT from the camera.

The 17-20 Canon Cine Zoom lens joins Canon's other offerings in the Cine field. While some could grumble regarding a $31,000 lens ramping from T2.9-T3.9, those acquainted with Cine lenses will be aware of the included weight as well as cost that a consistent aperture lens would include. Every little thing is a collection of compromises, I mean; every little thing except lens high quality. The lens displays intensity as well as comparison and I locate it somewhat neutral in its rendition. While cinematographers might select lenses on the basis of heat or creaminess or intensity or a host of other criteria, this lens I really feel shows no specific predisposition and also hence is well matched for developing whatever look is wanted in article. Canon, nevertheless, knows how to make lenses and also definitely ENG lenses. The servo mechanism is everything shooters enjoyed regarding Canon's ENG zoom. Certainly, fully hands-on zoom, focus as well as iris are likewise offered. Cine lens individuals will be delighted with the lens' 300-degree focus turning. Shooters relocating from even the HD to 4K world will promptly discover just how critical emphasis could be with a Cine lens as well as larger sensor cam.

It then includes a lens support (vital for a hefty Cine lens and also honestly, I also think in lens support for much heavier still lenses), fast launch place for the C300 AV system, a helmet kit including handle, cheeseplate safety helmet as well as rail. While some could grumble regarding a $31,000 lens ramping from T2.9-T3.9, those familiar with Cine lenses will certainly be well conscious of the included weight and also even cost that a consistent aperture lens would certainly add. While cinematographers might choose lenses on the basis of heat or creaminess or intensity or a host of other standards, this lens I feel exhibits no particular bias and also hence is well fit for developing whatever look is wanted in article. Canon, after all, realises just how to make lenses and also certainly ENG lenses. Cine lens customers will certainly be delighted with the lens' 300-degree emphasis turning.

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